By the mid-1800s, the had camera became another instrument for exploiting American Indians. In 1985, a conference and exhibition at Princeton looked back at the changing agendas of Indians, photographers, and Indian photographers, and this catalog documents the 150-year-history, with many famous stereotypes set alongside recent photomontages. The result is a visually rich, wide-ranging, and at times disturbing record, essential for photographers, scholars of American Indians, and fine arts libraries. Grade: A. Reviewed by Steve Brock File: art2018
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Native American BOOKS, text and graphics copyright Paula Giese, 1996
Last Updated: Monday, October 28, 1996 - 4:07:17 AM